SV Zo Damage SV Zo Damage

SV 210615

Meeting agenda

Folio

  • Works, substrates, presentation.

Writing

  • Submitted assignments for LCP and Studio for feedback.

  • Revised LCP Objectives and Rational assignment for troubleshooting and additional feedback.

  • Studio Critical Review assignment for feedback, time permitting.

High priority

  • Objectives – They are what I am having the most trouble with.

  • Opening two paragraphs of rationale – I don’t understand what Jan is suggesting.

Notes

Swap paragraph 1 and 2

  • First paragraph: How and why (what I used and why) - how does this connect to my methodology.

  • Second paragraph: Story.

Objectives

  • Incorporate sentences to encapsulate each objective.

  • Do not repeat.

  • Ensure each element is covered.

How do art and music relate to the project?

  • Explain more clearly.

What role does music play in the research?

  • Community and cultural hub.

  • Comes in through interviews with musicians.

Can I be fucked explaining this part of the process?

  • Probably not. It is probably no longer relevant other than these people are my mates and kindred spirits.

  • Music no longer has a part to play in this project or in my research.

  • Although, art and the creative process is still a critical factor and relates directly to my research.

Research question.

  • David doesn’t understand the question.

  • Break it down and simplify.

  • Be clear and concise.

  • Should read intangible, NOT temporal.

Be more concise and better articulate objectives what, how and why.

  • Fragmentation inspired by gestalt (reference fragmentation.

  • Explain “novel gestalt”.

  • Haptics – Subjects.

  • Haptics – Part of methodology (explain).

  • Performative collaboration in ICMX and photograms – Subjects.

General

  • Rewrite objectives, statement and rationale. Check active verbs, transition words, answer words and question words.

  • Be mindful of what, how and why.

  • Double-check writing notes.

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SV Zo Damage SV Zo Damage

210601 SV

David and I viewed a number of prints in 2.2.1 before lockdown. Standing in front of works is essential. Even proofs or roughs on newsprint count. The feedback David provided was very valuable. We discussed image sequence for the in-camera multi-exposure (IMX), orientations, substrates and print methods. I have provided David with a PDF for discussion in our SV meeting today.

VIEW PDF

Meeting notes

Today’s meeting was very productive. Having an agenda is beneficial, particularly to keep me on track as I do tend to digress!

Meeting agenda

  • Writing: Theoretical influences?

  • Writing: Email David Language of Creative Practice (LCP) assignment drafts and revised previous submissions for comment.

  • Images and concept: Connecting elements of project photographically — Abstract (lines, shadows, webs) representing brain activity (rhythmic) when viewing and making art.

  • Images and concept: Smoothing project with smaller portraits. Introduce gentle undulations.

  • Images: Supplied PDF of images as requested to review and discuss.

  • Handmade works: No new photogravure or screen prints to show due to lockdown.

Expanding too much.

Hold on till semester 4.

Shoot roll.

Focus on photograms.  

Transparency.

Multi exposures.

Keywords

SV, Studio, Semester 3, Development of practice, Image review

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