Recommended reading 1

Check the bibliography and citations (2020–2022 spreadsheets) for more reading material. Additional resources are below (also in bib spreadsheets).

Keywords

Live music, Music culture, History, Venues, Performance, Reading, Research

Bibliography

Beilharz, Peter. 2012. "Rock Lobster: Lobby Loyde And The History Of Rock Music In Australia". Thesis Eleven 109 (1): 64-70. doi:10.1177/0725513611434136.

Crabtree, Deb. “Most People I Know ...” Bookseller + Publisher 89, no. 4 (2009): 45. https://search.informit.org/doi/10.3316/informit.682644202819570.

Homan, Shane, Martin Cloonan, and Jennifer Cattermole. 2015. Popular Music Industries and the State : Policy Notes. London: Taylor & Francis Group. https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=4185755.

Homan, Shane. 2008. “A Portrait of the Politician as a Young Pub Rocker: Live Music Venue Reform in Australia.” Popular music 27, no. 2: 243–256.https://rmit.primo.exlibrisgroup.com/permalink/61RMIT_INST/4t5l5f/cdi_jstor_primary_40212377

Homan, Shane. 2011. “I Tote And I Vote”: Australian Live Music And Cultural Policy”. Arts Marketing: An International Journal 1 (2): 96-107. doi:10.1108/20442081111180322.

Homan, Shane. 2013. "Music And Politics. By John Street. Cambridge And Malden, UK: Polity Press, 2012. ISBN 978-0-7456-3544-6". Popular Music 32 (1): 141-143. doi:10.1017/s0261143012000694.Homan, Shane. 2016. “SLAM: The Music City and Cultural Activism.” Law, social justice & global development 20. https://rmit.primo.exlibrisgroup.com/permalink/61RMIT_INST/4t5l5f/cdi_gale_infotracacademiconefile_A466413302.

Oldham, Paul. 2013. "'Suck More Piss': How the Confluence of Key Melbourne-Based Audiences, Musicians, and Iconic Scene Spaces Informed the Oz Rock Identity." Perfect Beat 14 (2): 120-139. http://ezproxy.lib.rmit.edu.au/login?url=https://www-proquest-com.ezproxy.lib.rmit.edu.au/scholarly-journals/suck-more-piss-how-confluence-key-melbourne-based/docview/1503663412/se-2?accountid=13552.