Dossiers, Artists Zo Damage Dossiers, Artists Zo Damage

Uta Barth

First published 15 August 2020

Uta Barth
Germany
1958–
Practice: Photography
Movement/Style: Contemporary

Uta Barth is best known for her alternative use of light, colour and focus, producing abstraction and distortion, resulting in an elusive and ethereal discourse of her images and subject matter. Barth considers her work never directly addresses the literal subject matter of the photograph but attempts to ask questions about vision itself, photographing sound, non-space and in-betweens. In her presentation for The Modern Art Museum of Fort Worth (2011), Uta Barth discusses her work over the past 20 years. Barth shares her influences and inspirations as she questions the interpretation of visual perception. Describing her work as visceral, Barth continues, explaining the application of psychological theories, including phenomenology, to her practice.

“The discussion of these photographs, or anything that lacks focus for that matter, as being ‘painterly’ or ‘pictorialist’, drives me crazy. It assumes that a photograph would secretly–or overtly–aspire to the attributes of painting in order to justify itself as an artwork” (Higgins 2013).

Uta Barth, Ground #56, 1995

Bibliography

Barth, Uta. 1994. Ground #30. Image. https://utabarth.net/work/ground/#image-3.

Barth, Uta. 2011. "Uta Barth 2.8.11". Podcast. Modern Art Museum Of Fort Worth. https://soundcloud.com/themodernpodcast/uta-barth-2811.

Barth, Uta. 2012. "Conceptual Photographer Uta Barth: 2012 MacArthur Fellow | MacArthur Foundation". macfound. October 2, 2012. YouTube video, 03:10. https://youtu.be/xxYcpPDq5iQ.

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Artists, Dossiers Zo Damage Artists, Dossiers Zo Damage

Clyde Butcher

Butcher is best known for his black and white, large format landscapes of the Florida everglades and country surrounds. An environmentalist, the veteran photographer, raises awareness through his photographs of the natural environment which he loves.

In an interview with Steven Crandell (2014), Butcher talks about his relationship with the environment and how both nature and photography restored his soul after a drunk driver killed his teenage son. Butcher explains, "Wilderness, to me, is a spiritual necessity. The mysterious spiritual experience of being close to natural restored my soul. My experience reinforced my dedication to use the art of photography as an inspiration for others to work together to save nature's places of spiritual sanctuary for future generations."

Clyde Butcher, LOXAHATCHEE RIVER 1, 1991

Clyde Butcher, LOXAHATCHEE RIVER 1, 1991

Relevance to practice

Film photography, Large format, Black and white, Colour is overrated, Composition, Courage, Commitment

Keywords

Clyde Butcher, Drive, Vision, Self-promotion, Salvador Dali, Black and white, Large format, Landscape, Florida, Photography, Colour, B&H

References

Butcher, C 1991, LOXAHATCHEE RIVER 1, photograph, viewed 20 June 2020, <https://clydebutcher.com/s/photographs/florida-collection/state-parks/jonathan-dickinson-state-park/loxahatchee-river-1-south-east-fl/>

Crandell, S 2011, ‘Extreme Exposure: Everglades — Clyde Butcher's Wilderness Intuition’, Huffington Post, viewed 8 August 2020, <https://www.huffpost.com/entry/clyde-butcher_b_810107>

B&H Photography Podcast 2020, Clyde Butcher - Photographing the Everglades and Selling Clocks, podcast, B&H Photo Video, viewed 20 June 2020, <https://soundcloud.com/bh-photography-podcast/clyde-butcher-photographing-the-everglades-and-selling-clocks>

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