Record photographic processes used to create a series (such as agitation of darkroom trays, film developing canisters, timer, winding of film loading film), to sample and create a soundscape that accompanies the visual art. The process brings the work that visually iterates (in 2D imagery) mental and physical sensations induced by listening to music (musically induced frissons and musical emotion) full circle, whereby the processes used to create the art are then used to transform back into music. The intention is that the soundscape then presents an audial iteration of musically induced frissons and musical emotion. Although this soundscape is intended to be part of the final installation, I am keen to produce a limited edition vinyl release. I am currently discussing with a friend who is an established touring and recording musician on the ‘rock scene’ and a talented sound engineer, solo artist and composer who reaches into the ambient noise and the avant garde.
Keywords
Soundscapes, Musical emotion, Frissons