Music culture and frissons research overlap

There is a crossover in the two fields of research in (a) the study of mental and bodily sensations experienced when listening to music (or musically induced ‘frissons’); and (b) the ongoing sustainability and cohesiveness of live music creative sectors in a post-pandemic era.

The crossover is particularly relevant when considering the dynamics of a traditional face-to-face live music experience compared to that of digital real-time delivery of live music performances, evident on an in-depth examination of the interplays that define the ‘face-to-face’ occurrence as a synthesised ‘real-time’ personal experience that impacts and influences sensory intake and mental and physical states of performers and attendees.

  • Cultural significance.

  • Visualising energy and emotion.

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Power: Essential Works of Foucault 1954–84

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