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      <image:title>Development of Practice - Anti-Krauss II: Project Design - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Development of Practice - Anti-Krauss II: Project Design - Make it stand out</image:title>
      <image:caption>Scan ZD0281</image:caption>
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    <lastmod>2026-10-06</lastmod>
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  <url>
    <loc>https://www.zed-oh.com/development-of-practice/flashing-and-fogging</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-08-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1773912396290-15KSSGKXILEQYV4RYN4A/Possibilities+detail+%C2%A9+Zo+Damage+2023006.jpg</image:loc>
      <image:title>Development of Practice - Flashing and Fogging - Make it stand out</image:title>
      <image:caption>Zo Damage, 2022. Possibilities (AP), 127×70 cm, unique state gelatin silver print (detail), deliberately subjected to fogging via the introduction of ambient light throughout the chemical processing of the print</image:caption>
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  <url>
    <loc>https://www.zed-oh.com/development-of-practice/hope-baldessin-print-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-08-03</lastmod>
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      <image:title>Development of Practice - Hope: Baldessin Print Collection - Make it stand out</image:title>
      <image:caption>HOPE, Zo Damage 2026, photogravure print, 48×36cm, limited edition of 10+AP</image:caption>
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  <url>
    <loc>https://www.zed-oh.com/development-of-practice/hear-me-roar-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-08-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/597fb38e-ac66-4ba1-b30c-ba55ad70d266/Damage_Zo_HEAR_ME_ROAR_2026_Prototype.jpeg</image:loc>
      <image:title>Development of Practice - Hear Me Roar 2 - Make it stand out</image:title>
      <image:caption>Zo Damage, 2026, HEAR ME ROAR (self-portrait), archival pigment print (triptych), 250× 204 cm overall. Artist stands with artwork to provide context of its scale</image:caption>
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  <url>
    <loc>https://www.zed-oh.com/development-of-practice/bowness-harmony-2026</loc>
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    <priority>0.5</priority>
    <lastmod>2026-06-13</lastmod>
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      <image:title>Development of Practice - Harmony: Bowness - Make it stand out</image:title>
      <image:caption>HARMONY, installation view, 2025.</image:caption>
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  <url>
    <loc>https://www.zed-oh.com/development-of-practice/hear-me-roar-1</loc>
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    <lastmod>2026-08-27</lastmod>
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      <image:title>Development of Practice - Hear Me Roar 1 - Make it stand out</image:title>
      <image:caption>Figure 1. Me standing with a full-scale low-resolution bond paper wall-mount prototype of HEAR ME ROAR</image:caption>
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    <image:image>
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      <image:title>Development of Practice - Hear Me Roar 1 - Make it stand out</image:title>
      <image:caption>Figure 2. Me standing with a full-scale low-resolution bond paper suspension-mounted prototype of HEAR ME ROAR</image:caption>
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  <url>
    <loc>https://www.zed-oh.com/development-of-practice/infinity-project-models-3-4</loc>
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    <priority>0.5</priority>
    <lastmod>2026-08-05</lastmod>
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      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 1. Infinity prototype 3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/5273d6b5-1307-496f-b290-f07830e00945/Infinity+3+prototype+%C2%A9+Zo+Damage+2026+002.JPG</image:loc>
      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 2. Infinity prototype 3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/aeb4bc74-dfdc-4c8a-9677-94d7e3735a90/Infinity+3+prototype+%C2%A9+Zo+Damage+2026+003.JPG</image:loc>
      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 3. Infinity prototype 3</image:caption>
    </image:image>
    <image:image>
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      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 4. Infinity prototype 3</image:caption>
    </image:image>
    <image:image>
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      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 5. Infinity prototype 3 (birds-eye view)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/72efc2c5-6911-4cc0-855f-f7eb9c08a20d/Infinity+PT3%2BModel+%C2%A9+Zo+Damage+2026.JPG</image:loc>
      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 6. Infinity prototype 3 (with to-scale model of person)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 7. Infinity prototype 4</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/d9d5a45a-8ea0-45a8-93f9-b6caae43fad0/Infinity+4+prototype+%C2%A9+Zo+Damage+2026+001.JPG</image:loc>
      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 8. Infinity prototype 4</image:caption>
    </image:image>
    <image:image>
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      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 9. Infinity prototype 4</image:caption>
    </image:image>
    <image:image>
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      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 10. Infinity prototype 4</image:caption>
    </image:image>
    <image:image>
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      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 11. Infinity prototype 4 (birds-eye view)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Development of Practice - Infinity: Prototypes 3-4 - Make it stand out</image:title>
      <image:caption>Figure 12. Infinity prototype 4 (with to-scale model of person)</image:caption>
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    <loc>https://www.zed-oh.com/development-of-practice/infinity-project-4</loc>
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    <lastmod>2026-05-16</lastmod>
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      <image:title>Development of Practice - Infinity: Prototypes 1-2 - Make it stand out</image:title>
      <image:caption>Figure 1. Lomokino negative 1/3 (Zo Damage 2026)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1775279951563-DV3Z36EJY1JE383B4KAJ/Scan+ZD0296+%C2%A9+Zo+Damage.jpg</image:loc>
      <image:title>Development of Practice - Infinity: Prototypes 1-2 - Make it stand out</image:title>
      <image:caption>Figure 2. Lomokino negative 2/3 (Zo Damage 2026)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1775279956095-2XO111WNI919PTL7HYRB/Scan+ZD0297+long+%C2%A9+Zo+Damage.jpg</image:loc>
      <image:title>Development of Practice - Infinity: Prototypes 1-2 - Make it stand out</image:title>
      <image:caption>Figure 3. Lomokino negative 3/3 (Zo Damage 2026)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/3c6eadfa-a943-472d-bdcd-8d4bca4056e7/Infinity+prototype+1G+-MADA+%C2%A9+Zo+Damage+20206.JPG</image:loc>
      <image:title>Development of Practice - Infinity: Prototypes 1-2 - Make it stand out</image:title>
      <image:caption>Figure 5. Infinity prototype 1. Design allows for glass front frontage of MADA Gallery</image:caption>
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  <url>
    <loc>https://www.zed-oh.com/development-of-practice/mada-gallery-models</loc>
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    <priority>0.5</priority>
    <lastmod>2026-06-12</lastmod>
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      <image:title>Development of Practice - MADA Gallery Models - Make it stand out</image:title>
      <image:caption>Figure 1. MADA Gallery</image:caption>
    </image:image>
    <image:image>
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      <image:title>Development of Practice - MADA Gallery Models - Make it stand out</image:title>
      <image:caption>Figure 2. MADA Gallery</image:caption>
    </image:image>
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      <image:title>Development of Practice - MADA Gallery Models - Make it stand out</image:title>
      <image:caption>Figure 3. MADA Gallery 1:100 scale model specifications and sketch</image:caption>
    </image:image>
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      <image:title>Development of Practice - MADA Gallery Models - Make it stand out</image:title>
      <image:caption>Figure 5. MADA Gallery model (1:200)</image:caption>
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  <url>
    <loc>https://www.zed-oh.com/development-of-practice/installation-examples</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/d6994a62-026f-4d85-9e77-c3b2d5d83556/carlson+-+human-nature-by-natural-material-studio-copenhagen_dezeen_2364_col_hero.jpg</image:loc>
      <image:title>Development of Practice - Exploring installation techniques - Make it stand out</image:title>
      <image:caption>Figure 1. “Human Nature features metres-long biotextile installations” (Carlson 2023)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/b2cadcbd-8d63-4988-86b4-282ee05ff228/stockcake-suspended-art-installation-stockcake.jpg</image:loc>
      <image:title>Development of Practice - Exploring installation techniques - Make it stand out</image:title>
      <image:caption>Figure 2. Suspended art installation (StockCake 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/46d10a82-fdc9-40be-a239-8cce7c065721/claire-morgan_b0ac2cf8.jpg</image:loc>
      <image:title>Development of Practice - Exploring installation techniques - Make it stand out</image:title>
      <image:caption>Figure 3. Morgan, Claire. 2009. Fluid II, crow (taxidermy), strawberries, fishing hooks, nylon, 200×150×150cm overall. Installation view</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/36fba162-9188-467c-83e1-520fe8e28d3e/Karpinsky-Barker-College-bark-painting-metal-screen-ceiling.jpg</image:loc>
      <image:title>Development of Practice - Exploring installation techniques - Make it stand out</image:title>
      <image:caption>Figure 4. “Yolngu Bark Art Transformed into Ceiling Art Installation” (Karpinsky 2023)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1773912387264-03Q2OAC3OWI49Y8MXSFX/Liz+Deschenes+Tilt-Swing.jpeg</image:loc>
      <image:title>Development of Practice - Exploring installation techniques - Make it stand out</image:title>
      <image:caption>Figure 5. Liz Deschenes, 2009. Tilt/Swing (360º Field Of Vision, Version 1), gelatin silver prints mounted on panels, six parts, 345.4 x 487.7 x 147.3 cm overall. Installation view, MoMA, 2009.</image:caption>
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  <url>
    <loc>https://www.zed-oh.com/development-of-practice/installation-spaces</loc>
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    <priority>0.5</priority>
    <lastmod>2026-05-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/944399a9-8189-4d93-b70b-7e3e2b023476/MADA+Space+Crit+Room+2.png</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Main wall: 565cm wide (sliding glass doors on right) Booking: Sean</image:caption>
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    <image:image>
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      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Recess: 255cm (L) x 285cm (B) x 490cm (R) Booking: Sean</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/2798a2cc-88f6-4d44-a253-e3680d6129fa/MADA+Space+Dorito+1.png</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Dorito 250cm (L) x 480cm (R) x 222cm (H) Booking: Christopher (undergrad priority)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/c1eee401-3ab7-45f2-bb8b-25e5e2130358/MADA+Space+Long+Wall+1.png</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Long Wall 436cm (W) x 193cm (H) Booking: Christopher (undergrad priority)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/3599a861-5c2c-4bd2-8d9b-7c45e4eec33e/MADA+D105+5+%C2%A9+Zo+Damage+2026.jpeg</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Booking: See techs (undergrad and honours priority)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/ac9b87f3-2e7f-4b06-ad5b-dc3b4383ff9d/MADA+D105+1+%C2%A9+Zo+Damage+2026.jpeg</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Booking: See techs (undergrad and honours priority)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/5f4829ed-ec8e-488c-8433-0c1c84cd128c/MADA+D105+4+%C2%A9+Zo+Damage+2026.jpeg</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Booking: See techs (undergrad and honours priority)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/6131520e-6734-454f-9a59-842f917851b7/MADA+D105+9+%C2%A9+Zo+Damage+2026.jpeg</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Booking: See techs (undergrad and honours priority)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/83829ee2-ecda-4bfe-98d9-de62b620aeaf/MADA+D105+Pillar+1+%C2%A9+Zo+Damage+2026.jpeg</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Pillar 1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/2dfa4a17-73dd-4e5c-baac-aacd63dec392/MADA+D105+Pillar+2+%C2%A9+Zo+Damage+2026.jpeg</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Pillar 2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/face00f1-7fda-40b8-bbcb-def85802c5a5/MADA+D105+Pillar+3+%C2%A9+Zo+Damage+2026.jpeg</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>Pillar 3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/13bc87b4-ac3e-4a1e-90b0-e1306394f35c/MADA+Gallery+1+%C2%A9+Zo+Damage+20226.jpeg</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>9x14M Booking: Sean</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/983474e6-e5eb-4122-881f-7a6c99ea489a/MADA+Gallery+2+%C2%A9+Zo+Damage+2026.jpeg</image:loc>
      <image:title>Development of Practice - Installation spaces - Make it stand out</image:title>
      <image:caption>9x14M Booking: Sean</image:caption>
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    <loc>https://www.zed-oh.com/development-of-practice/mada-printmaking-studio</loc>
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    <lastmod>2026-04-20</lastmod>
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      <image:title>Development of Practice - MADA Printmaking Studio - Make it stand out</image:title>
      <image:caption>Damage, Zo. MADA Printmaking Studio, 2026.</image:caption>
    </image:image>
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    <lastmod>2026-05-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1773912396195-75T66A24WR89HBCTQYPO/Whiteley-The+American+Dream.jpg</image:loc>
      <image:title>Development of Practice - Infinity Project (WT): Inspired by Whiteley - Make it stand out</image:title>
      <image:caption>Figure 1. Brett Whiteley, The American Dream, 1968-1969. Installation view, NGV, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1775637499401-CMSTDSB5N7STSU8K7QCY/Journal%2BInfinity%2Bproject%2Bsketch%2B02%2B%25C2%25A9%2BZo%2BDamage.png</image:loc>
      <image:title>Development of Practice - Infinity Project (WT): Inspired by Whiteley - Make it stand out</image:title>
      <image:caption>Figure 3. Design 3 sketch</image:caption>
    </image:image>
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  <url>
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    <lastmod>2026-09-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/0e20d288-d87d-4dfa-913f-b04e5d8436a1/0248+%281%29+%C2%A9+Zo+Damage+2025.jpeg</image:loc>
      <image:title>Development of Practice - Infinity Project: Camera - Make it stand out</image:title>
      <image:caption>Figure 1. 35mm frame. See Figure 2 for approximate comparison</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/e4dfdac8-a735-4997-99f7-8ef899b247ae/Scan+ZD0297+%C2%A9+Zo+Damage.jpg</image:loc>
      <image:title>Development of Practice - Infinity Project: Camera - Make it stand out</image:title>
      <image:caption>Figure 2. LomoKino capture across span of single 35mm frame. See Figure 1 for approximate comparison</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1775279951470-FLP5WY8HAT9L1DVUJ2O6/Scan+ZD0295+%C2%A9+Zo+Damage.jpg</image:loc>
      <image:title>Development of Practice - Infinity Project: Camera - Make it stand out</image:title>
      <image:caption>Figure 3. Infinity Project negative 1/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1775279951563-DV3Z36EJY1JE383B4KAJ/Scan+ZD0296+%C2%A9+Zo+Damage.jpg</image:loc>
      <image:title>Development of Practice - Infinity Project: Camera - Make it stand out</image:title>
      <image:caption>Figure 4. Infinity Project negative 2/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1775279956095-2XO111WNI919PTL7HYRB/Scan+ZD0297+long+%C2%A9+Zo+Damage.jpg</image:loc>
      <image:title>Development of Practice - Infinity Project: Camera - Make it stand out</image:title>
      <image:caption>Figure 5. Infinity Project negative 3/3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/afdeeb54-9ffc-4b7c-9f94-db8f88ba5deb/Infinity+project+cropping+frames.jpg</image:loc>
      <image:title>Development of Practice - Infinity Project: Camera - Make it stand out</image:title>
      <image:caption>Figure 6. Each frame must be cropped using a photo post-editing program such as Photoshop. I then loaded the individual frames into iMovie to create the film</image:caption>
    </image:image>
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      <image:title>Art Theory - Ada Booth Slavic Collection - Make it stand out</image:title>
      <image:caption>Figure 1. Alexander Rodchenko, c1920. Spatial Construction No. 12</image:caption>
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      <image:title>Essays, Articles and Case Studies - Provenance or Crisis Point: A Case Study in Medium Ambiguity</image:title>
      <image:caption>Figure 1. Boris Eldagsen, The Electrician, 2022, AI-generated image from the series Pseudomnesia: Fake Memories, https://www.eldagsen.com/pseudomnesia/</image:caption>
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      <image:title>Essays, Articles and Case Studies - Provenance or Crisis Point: A Case Study in Medium Ambiguity</image:title>
      <image:caption>Figure 2. Miles Astray, Flamingone, 2024, photograph, in Alex Clark, “A Real Photo Took Two Honors in an AI Competition. Here’s the Inside Story,” CBS News, June 24, 2024, https://www.cbsnews.com/news/real-photo-ai-competition-flamingone-miles-astray/</image:caption>
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      <image:title>Reflections - Infinity: Riffing titles - Make it stand out</image:title>
      <image:caption>Figure 1. Notes from Hegel reading group (Damage 2026)</image:caption>
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    <lastmod>2026-08-18</lastmod>
    <image:image>
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      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 1. Damage, Zo. An enlarger projection of a 35mm negative was used to produce Untitled 0061. A single exposure was made across five 40x127cm gelatin silver paper panels, each hand-torn from a 30-meter roll, 2026</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/ea3b055c-876a-4ee9-a40c-53f8a099eb9b/2026+Crit+1-Darkroom+004+%C2%A9+Zo+Damage.JPG</image:loc>
      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 2. Damage, Zo. After chemical development, the prints are suspended on a line using clamps positioned at the top left and right corners. This method accelerates drying and helps flatten the inherently curly paper, 2026</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1a6cd8a0-5096-456d-afce-be42cad01854/2026+Crit+1-Installation+012+%C2%A9+Zo+Damage.JPG</image:loc>
      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 4. Damage, Zo. 2026. Untitled 0061, 2026; Gelatin silver print, nails, 210×127cm overall; Untitled cubes 1-4, 2025. Gelatin silver prints, cardboard, ink, 28.5×28.5×28.5cm (each), 2025. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
    </image:image>
    <image:image>
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      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 5. Damage, Zo. Untitled 0061, 2026. Gelatin silver print, nails, 210×127cm overall 2026. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
    </image:image>
    <image:image>
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      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 6. Damage, Zo. Untitled 0061 panel 2 (detail), 2026</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/e311936d-b061-4999-92d0-5412a4649831/2026+Crit+1-Installation+006+%C2%A9+Zo+Damage.png</image:loc>
      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 9. Damage, Zo. Untitled cube 1 (detail), 2025. Gelatin silver prints, cardboard, ink, 28.5×28.5×28.5cm, 2025. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
    </image:image>
    <image:image>
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      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 7. Damage, Zo. Untitled 0061 panel 4 (detail), 2026</image:caption>
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    <image:image>
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      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 10. Damage, Zo. Untitled cube 2 (detail), 2025. Gelatin silver prints, cardboard, ink, 28.5×28.5×28.5cm, 2025. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
    </image:image>
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      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 8. Damage, Zo. Untitled 0061 panel 1 (detail), 2026</image:caption>
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      <image:title>Crits and Reviews - Crit 1: Reflection - Make it stand out</image:title>
      <image:caption>Figure 11. Damage, Zo. Untitled cubes 3 and 4 (detail), 2025. Gelatin silver prints, cardboard, ink, 28.5×28.5×28.5cm, 2025. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
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      <image:title>Crits and Reviews - Crit 1: Installation - Make it stand out</image:title>
      <image:caption>Figure 1. Damage, Zo. 2026. Untitled 0061, 2026; Gelatin silver print, nails, 210×127cm overall; Untitled cubes 1-4, 2025. Gelatin silver prints, cardboard, ink, 28.5×28.5×28.5cm (each), 2025. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
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      <image:title>Crits and Reviews - Crit 1: Installation - Make it stand out</image:title>
      <image:caption>Figure 2. Damage, Zo. Untitled cube 1 (detail), 2025. Gelatin silver prints, cardboard, ink, 28.5×28.5×28.5cm, 2025. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
    </image:image>
    <image:image>
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      <image:title>Crits and Reviews - Crit 1: Installation - Make it stand out</image:title>
      <image:caption>Figure 3. Damage, Zo. Untitled cube 2 (detail), 2025. Gelatin silver prints, cardboard, ink, 28.5×28.5×28.5cm (each), 2025. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
    </image:image>
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      <image:title>Crits and Reviews - Crit 1: Installation - Make it stand out</image:title>
      <image:caption>Figure 4. Damage, Zo. Untitled cubes 3 and 4 (detail), 2025. Gelatin silver prints, cardboard, ink, 28.5×28.5×28.5cm, 2025. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
    </image:image>
    <image:image>
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      <image:title>Crits and Reviews - Crit 1: Installation - Make it stand out</image:title>
      <image:caption>Figure 5. Damage, Zo. Untitled 0061, 2026. Gelatin silver print, nails, 210×127cm overall 2026. Semester 1, Crit 1 installation view. Monash University, Caulfield (B6.47), 2026</image:caption>
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      <image:title>Film Photography</image:title>
      <image:caption>Damage, Zo. 2025. Scan 0061. In-camera multi-exposed 35mm negative, North Melbourne (Maribyrnong River Trail). Created using a Canon AE1 manual 35mm film camera (circa 1972). The work comprises a single montage spanning five sequential frames from a 24-exposure film roll. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/49cbd6b0-9a4d-4b85-bff8-4979fd2bc86f/Scan+ZD0285.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0285 35mm negative (1/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/23375acd-7bc8-404c-b0df-83861b3249dc/0237+%C2%A9+Zo+Damage+2025.jpeg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (Alphington Wetlands 1). Scan of 120mm medium format negative. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/428ed2be-5e3c-41d5-818f-279e207644ac/0260+%C2%A9+Zo+Damage+2026.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (Westgarth), Merri Creek Trail. Scan of 4x5" large format negative. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/54e33579-7783-43c2-a719-726f06be80c8/0304+%C2%A9+Zo+Damage+260315.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Damage, Zo. 2026. Scan 0304. In-camera multi-exposed 35mm negative, Alphington/Westgarth (Merri Creek Trail). Created using a Canon AE1 manual 35mm film camera (circa 1972). The work comprises a single montage spanning seven sequential frames from a 24-exposure film roll. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/add8613e-c132-4bab-b0a3-29113a64e0b8/Scan+ZD0286.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0286 35mm negative (2/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/6dd3ada3-a5cf-4f9b-be39-142e36477597/0238+F1+%C2%A9+Zo+Damage+2025.jpeg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (Alphington Wetlands 2). Scan of 120mm medium format negative. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/2f7916a3-95c0-4065-a71a-0a23f1cf13a3/0254+%C2%A9+Zo+Damage+2026.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (Westgarth 2), Merri Creek Trail. Scan of 4x5" large format paper negative (inverted in Preview). From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/0cd9caaa-6e6e-4fa7-99a1-ef3c25557bf1/Scan+ZD0287.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0287 35mm negative (3/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/32c0333b-cbbc-40b0-a74a-769f7c7fc649/0227+%C2%A9+Zo+Damage+2025.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (Car Park). Scan of 4x5" large format paper negative (inverted in Preview)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/2c678bef-a8d5-4c3c-8f12-fa966a764e5b/0271+Joy+%C2%A9+Zo+Damage+2026.jpeg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (Alphington Wetlands 3). Scan of 120mm medium format negative. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/59f72542-e1e9-4b96-ba5c-94e85e442292/0246+%C2%A9+Zo+Damage+2025.jpeg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (North Fitzroy 1). Scan of 35mm in-camera double exposure negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/c0448a19-b05c-43e2-a012-36de64005d2b/Scan+ZD0288.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0288 35mm negative (4/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/e0711f3f-208e-4cca-bc01-e848336e8c11/0258+%C2%A9+Zo+Damage+2026.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2025. Untitled (Westgarth 3), Merri Creek Trail. Scan of 4x5" large format paper negative (inverted in Preview). From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/3a70db77-dc6a-4e78-84f3-28b02e63a9bb/0247+%281%29+%C2%A9+Zo+Damage+2025.jpeg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (North Fitzroy 2). Scan of 35mm in-camera double exposure negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/2a69a7b9-09be-4cda-9211-21a1b2b46fdd/Scan+ZD0289.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0289 35mm negative (5/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/f553fa6a-ab11-4229-9a70-03d9be1a453b/0247+%C2%A9+Zo+Damage+2025.jpeg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (North Fitzroy 3). Scan of 35mm in-camera double exposure negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1775279951470-FLP5WY8HAT9L1DVUJ2O6/Scan+ZD0295+%C2%A9+Zo+Damage.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0295 35mm negative (1/3), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/0e20d288-d87d-4dfa-913f-b04e5d8436a1/0248+%281%29+%C2%A9+Zo+Damage+2025.jpeg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Untitled (North Fitzroy 4). Scan of 35mm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1775279951563-DV3Z36EJY1JE383B4KAJ/Scan+ZD0296+%C2%A9+Zo+Damage.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0296 35mm negative (2/3), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1775279956095-2XO111WNI919PTL7HYRB/Scan+ZD0297+long+%C2%A9+Zo+Damage.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Damage, Zo. 2026. Scan 0297 35mm negative (3/3), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/356b1466-47c2-4444-9a89-00bd28e120be/Scan+ZD-0310.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0310 35mm negative (1/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/7f594911-baaa-4dfa-8e0d-dfc9c0c9d81f/Scan+ZD-0311.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0311 35mm negative (2/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/95d753fa-d084-471a-aa09-3e3a83c83c5c/Scan+ZD-0312.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0312 35mm negative (3/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/2714a15f-752c-4533-a2db-58339e18201b/Scan+ZD-0313.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0313 35mm negative (4/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/dd2b1be7-38ef-481a-8e2b-17b5efb73c2f/Scan+ZD-0314.jpg</image:loc>
      <image:title>Film Photography</image:title>
      <image:caption>Zo Damage, 2026. Scan 0314 35mm negative (5/5), Alphington Wetlands (Main Yarra Trail). Captured using a Lomokino hand-crank movie camera. The 24-exposure 35mm film roll was cut for scanning. From the ongoing series, "Bike Paths of Melbourne" (2020 –)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.zed-oh.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/fa61ec56-da4e-45ee-8a6c-2a60a24df82c/Infinity+prototype+2A+-MADA+%C2%A9+Zo+Damage+20206.JPG</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/240f50ef-8c6f-4476-a569-a415af4c3757/Infinity+Movie+Test+1+%40+Zo+Damage+2026.jpeg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/ed437f08-d22b-4a7a-beab-a082bd39b691/Scan+ZD0246.jpeg</image:loc>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1773912386904-5CPMAWSG1H4F9CSITF4H/Lissitzky+The+Constructor+1924.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.zed-oh.com/other-stuff</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-08-03</lastmod>
  </url>
  <url>
    <loc>https://www.zed-oh.com/alt-analogue</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1a6cd8a0-5096-456d-afce-be42cad01854/2026+Crit+1-Installation+012+%C2%A9+Zo+Damage.JPG</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2026. New work presented in Group Critique</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/2b41d24e-6162-48b1-aa95-ef58decda823/Perspective+%C2%A9+MAPH+2025.jpg</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2025. Perspective, gelatin silver prints, cardboard, pen, 28.5 cm x 28.5 cm x 28.5 cm (per cube). Installation variable. Installation view, Bowness Photography Prize Finalist exhibition, MAPh, Wheelers Hill, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/dc63a4f0-83b0-4d88-a248-a672274f709c/Possibilities+%C2%A9+Zo+Damage+MAPh+2024.jpg</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2023. Possibilities, gelatin silver polyptych, nails, 7 metres x 1.27 metres overall. Installation variable. Installation view, Bowness Photography Prize Finalist exhibition, MAPh, 2026</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/d01e255e-2ca7-43f1-93cf-a6812d268c9b/Trust+2+%C2%A9+Zo+Damage+PHOTO+COURTESY+JESS+CURRY.jpg</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2022. Trust, gelatin silver print (continuous roll), 15 metres x 1.2 metres overall. Installation variable. Installation view, RMIT University 2023. Bowness Photography Prize Finalist and Bowness Photography Prize "People's Choice Award" recipient, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/1746993f-cbc8-426f-b8b4-c77be69e5e73/Paradox+Install+1+%C2%A9+Zo+Damage+2025.JPG</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2022. Trust, gelatin silver print (continuous roll), 15 metres x 1.1 metres overall. Installation variable. Paradox exhibition installation, CLAW Creative, Fitzroy, 2025. Bowness Photography Prize Finalist and Bowness Photography Prize "People's Choice Award" recipient, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/0699be98-8cb1-4784-9c45-5fc2be23ec49/Zo+Damage+2025-Harmony.jpg</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2025. Harmony, gelatin silver polyptych, nails, 2 metres x 1.2 metres overall. Being of Light exhibition installation view, Fitzroy Public Gallery, Fitzroy, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/9431927f-6b9a-40d4-944e-df3565f29e57/BoL+Puzzle+Chris+%C2%A9+Zo+Damage+001.jpg</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2025. Being of Light, gelatin silver block puzzle (game), 57 cm x 85.5cm x 28.5 cm overall. Gallery visitor stands triumphant after playing and successfully completing the puzzle. Installation variable. Installation view, Being of Light exhibition, Fitzroy Public Gallery, Fitzroy, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/31a46ab1-756b-4fdf-920e-236f58c03e4f/Wave+wall+concept+%C2%A9+Zo+Damage+2021-2022.JPG</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2022. Wave Wall, photograms (gelatin silver prints, gaffer tape, 7 metres x 60 cm overall. Installation variable. Installation view, RMIT University, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/02446146-7d3d-4e2e-afa6-61056e60d9b9/Truth+2023+005+%C2%A9+Zo+Damage.jpeg</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2023. Truth, gelatin silver print (continuous roll), 16 metres x 70 cm overall. Installation variable. Installation view, RMIT University, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/cd505966-6839-4c02-9cf7-d1c65dbcf5fc/Zo+Damage+2024-Inner+Circle.jpg</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2025. Inner Circle, gelatin silver polyptych, 1.8 metres x 1.27 metres overall. Being of Light exhibition installation view, Fitzroy Public Gallery, Fitzroy, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/f58d78c0-eeb1-4c84-8a6c-f77e62389f55/Zo+Damage+2025-Reprieve.jpg</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2025. Reprieve, gelatin silver print, 5 metres x 1.27 metres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69bbc1232e413c74bf53d20c/da3ed227-4cdf-4464-beb4-c8faae9cf5a5/Paradox+Joy+1.JPG</image:loc>
      <image:title>Alt Analogue</image:title>
      <image:caption>Zo Damage, 2022. Respite, gelatin silver print (polyptych), nails, 1.8 metres x 1.2 metres overall. Paradox exhibition installation, CLAW Creative, Fitzroy, 2025</image:caption>
    </image:image>
  </url>
</urlset>

